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| | | 片名: | Downfall | | 台灣譯名: | 帝國毀滅 | | 香港譯名: | 希特拉的最後12夜 | | 大陸譯名: | 帝國陷落 | | 導 演: | Oliver Hirschbiegel | | 類 型: | Drama, War | | 出 品: | Newmarket Films | | 發行時間: | 2005 | | 宣 傳 語: | April 1945, a nation awaits its... | | 主 演: | Bruno Ganz
Alexandra Maria Lara
Corinna Harfouch
Ulrich Matthes
Juliane Kohler
Heino Ferch | |
 內 容 簡 介 | | This drama follows the last 10 days of Adolf Hitler's life, from his 56th birthday on April 20, 1945, to his suicide on April 30, based on the books Inside Hitler's Bunker by Joachim Fest and Until the Final Hour by Traudl Junge and Melissa Muller. |
| | 評 論 | POSITIVE
One of the best war movies ever made … powerful and artistically masterful … (The Hollywood Reporter)
… meticulous, spellbinding, provocative … (Newsweek)
… explain, perhaps better than any earlier film, how an entire country bought into Hitler's genocidal madness. (New York Post)
Downfall's overstuffed melodrama juggles countless subplots and a small army of characters who manage to make an impression in spite of limited screen time. (The Onion's A.V. Club)
… revealingly human without ever being sympathetic or apologetic. (The Oregonian)
… one of the things that's most striking about "Downfall" is that you are convinced by it, so immediately and so totally. (Salon)
… a historical reenactment that hits like a swift kick to the gut. (TV Guide)
… thoughtful entertainment, cast in depth and going for the long burn, this is classy upscale fare. (Variety)
NEGATIVE
… holds your attention for its very long running time without delivering much dramatic or emotional satisfaction in the end. (The New York Times)
… grimly self-important and inescapably trivializing. (Village Voice)
… too real … the very thought of humanizing Hitler makes me queasy. (New York Daily News) |
| | 摘 抄 本 | 影片把鏡頭對準了希特勒人生中最後的12天，再現了蘇聯紅軍攻克柏林、希特勒同新婚妻子愛娃•布勞恩自殺於地下掩體等歷史事件。執導該片的是德國著名導演奧利佛•西斯貝格，希特勒的扮演者是曾出演過獲獎影片《柏林蒼穹下》的德國傑出演員布魯諾•岡茨。該片在德國取得了3000萬歐元的驕人票房，同時也引發了評論家的眾多非議。觀眾普遍認為，《帝國的毀滅》對希特勒的描寫過於人性化，有美化納粹之嫌，不過也有為數不少的電影專家對這部冷靜客觀、以人文主義表現手法拍攝的電影盛贊有加。導演奧利佛•西斯貝格說︰“我的電影非常有爭議。作為電影人，我們向當年的受害者展示的不是一個魔鬼，而是一個人。我很為這部電影自豪。”該片贏得了德國頂級電影榮譽獎之一的巴伐利亞電影觀眾獎。
(source: http://bbs.verycd.com/) |
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